Cloisonne
Cloisonne, with a history dating back over 500 years, is well-known
traditional enamelware. It is typically called the "Blue of Jingtai"
as blue is the
dominant color adopted for enameling and Cloisonne
became prevalent during the reign of Jingtai (1450-1456) in the Ming
Dynasty. Owing to its
brilliant colors and splendid designs, Cloisonne
has been highly appraised both in China and abroad.
The making of Cloisonne involves quite elaborate and complicated process,
usually seven steps should be taken.
The first step is frame making. Copper is the usual material for making
the frame, because copper is very flexible and can easily be hammered
to
the shape to the likings of the craftsman. And copper is durable
material for a frame. What is important in this step is that the coppersmith
needs
to make a well-shaped frame with even weight and thickness.
The second step is to adhere very narrow copper strips onto the frame.
The craftsman has a well-prepared blueprint by hand, and he can make
necessary adjustments based on his own experience. To make major changes,
the craftsman needs to consult with the designer.
The third step is coloring. The color or enamel is called "falang"
in Chinese. Like a painter mixing the colors, the craftsman adjusts
the color by
adding different minerals. The change of colour is a
result of different chemical changes. The craftsman then applies the
colors on the little
compartment formed by the copper strips.The fourth
step is firing. Put the article into an oven, with a certain temperature
(about 800℃). After a
while, take the article out, it will turn red.
Put it aside and let it cool naturally. The color or enamel in the
little compartments will sink. That requires
a re-filling. The fifth step is re-firing. Re-fire the article until the enamel
in the little compartment is finally filled evenly.
The sixth step is to polish. Polish the article with emery and then
with a whet stone and finally with a hard carbon to get luster and
smoothness on
the surface. The last step is gilding. It is to put the finished article in the
fluid of silver or gold, charged with electric current, to gild evenly
and then a
slight polish will be the final touch to the finished product.
We may say, the technique of cloisonne is used not only the bronze
crafts, but also the porcelain crafts, meanwhile, fetching in plenty
of traditional
and carving technique, which is the combination of
Chinese traditional arts.
In Beijing, the cradle of Cloisonne, most shops in hotels as well
as tourist stores sell Cloisonne articles, which can be as big as
sacrificial
utensils, screens tables and chairs, and as small as chopsticks,
earrings, candy boxes, toothpicks and smoking tools. They are works
of art as
well as articles with use value. Handicraftsmen have of
late developed a multi-coloring technique for the making of Cloisonne
which has resulted
in more refined and gorgeous products.